Product & Interior design
Ten amazing months, with internationally renowned lecturers. Once in a life time opportunity to learn directly from the protagonists. Raffles Milano Masters: finally someone has thought of it. Scopri il nostro master in Product & Interior design.
Born in 1947 and graduated in 1969 from the Academy of Fine Arts of Brera. From 1975 to 1979 he worked for ICF De Padova and in parallel he started to collaborate with Vico Magistretti, one of the masters of Italian Design. From 1978 to 1984 he lived in London and in that period he was among the founders of Alias and Director of Artemide G.B. In 1992 he founded Nemo with Cassina, and in 1999 Forcolini.Lab. In 2005 he founded Oylight. Over the years he designed for Alias, Artemide, BBB Bonacina, De Padova, Caimi Brevetti, Cassina, Gervasoni, Luceplan, Luci Italia, Joint, OY light, Pomellato and Zumtobel. From 2001 to 2007 he was National President of ADI (Associazione per il Disegno Industriale). In 2007 he was a member of the Italian Design Council and since 2008 he is a member of the ADI Design Jury. From 2009 to 2016 he was Scientific Director, Ceo and Vice President of IED. In 2018 he is appointed by MIBAC member of the Study Commission for the identification of public policies to support and develop Design, and by the Ministry of Foreign Affairs he is appointed Ambassador of Italian design in the world. Since 2017 he is Scientific Director of Raffles Milano. In 2020 he was awarded the Compasso d'Oro alla Carriera. His projects are in the collections of the Cooper Hewitt Museum in New York, the Museum of Decorative Arts in Paris, the Design Museum of the Triennale di Milano and the ADI Compasso d'Oro Collection. He has exhibited in Madrid, Los Angeles, London, Hamburg, Cologne, Tokyo, Sydney, Santiago the Chile, Moscow, Oslo, Naples, Milan, Toronto and Brussels. Commissione di studio per l’individuazione di politiche pubbliche di supporto e sviluppo al Design, e dal Ministero degli Esteri Ambasciatore del design italiano nel mondo. Dal 2017 è Direttore Scientifico di Raffles Milano. Nel 2020 ha ricevuto il Compasso d’Oro alla Carriera. Suoi progetti sono nelle collezioni del Cooper Hewitt Museum di New York, nel Museo delle Arti decorative di Parigi, nel Museo del Design della Triennale di Milano e nella Collezione del Compasso d’Oro ADI. Ha esposto a Madrid, Los Angeles, Londra, Amburgo, Colonia, Tokyo, Sidney, Santiago, Mosca, Oslo, Napoli, Milano, Toronto e Bruxelles
Scopri “Perchè scegliere Raffles Milano” e conosci il Master in Product & Interior Design con il Course Leader Marc Sadler.
Why do some design projects that seem to have ticked all the right boxes simply fail to pass the test of the market? Does such a thing as a recipe for success even exist? The answer is no: there are no fool-proof recipes. What does exist is talent, energy and a serious approach to designing, an understanding of the complexity of the world and the ability to adapt models to suit it. Then there are tenaciousness, analysis and learning: these are the things that do exist.
This Masters is designed to provide students with a methodological toolkit and skills that will enable them to design products effectively in a very broad range of industrial sectors.
Who is this for?
The course targets graduates in design and architecture, as well as young designers, architects and practitioners who are curious and want to broaden their aesthetic horizons. They are destined to be the movers and shakers of creative designing in future, the ones who write the agenda for design in firms, in architecture and design offices, in research groups, in major global organisations and also in professional contexts and fields that we cannot even imagine today.
Students attending this course get a chance to experiment with different approaches to designing, as a function of different types of clients and stakeholders. Research-based design is extremely pro-active and favours unusual formal or constructive solutions. When design focuses on execution, the designer becomes a businessman capable of offering solutions that integrate into consolidated production practices, but also of standing out for his personality. Ground-breaking design, lastly, leaves more space for pure creativity, as long as the bases of good research and good execution are also there.
– Know-how of materials and production processes.
– Development of new materials and surfaces
– Development of new aesthetics and graphics
– New products and new models of distribution
– New product frontiers: nomad products
– New production frontiers: the metamorphosis of 3D printing
Student of the Year
At the end of each academic year, Raffles Milano rewards the best talent of every course and every year.
The award is given to the student who has distinguished him- or herself in terms of his/her academic career and portfolio, according to the assessment both of an internal committee of teachers and of an external committee of professionals who are invited to assess the portfolio (the student’s anonymity is protected)
Learning directly from practitioners is the best way to pick up the most advanced visions and methods at source. Unlike conventional Masters, the Raffles Milano Masters bring hands-on knowledge direct into the lecture theatre, with ten market leader professionals occupying the lectern in the course of the ten months.
Each professional spends a month with the students. 8 four-week months and 2 three-week months.
Each week you will have a 6 hour day and an 8 hour day lesson with the experts.
At the end of the month, the student receives an evaluation on the developed project.
Some professionals can be replaced during the Master, with other top-level studios, maintaining the international Faculty’s standards.
Danilo De Rossi
Architect and Designer
There are some kinds of practical and theoretical knowledge and abilities that cannot be learned overnight, but need tailored tutoring. You never know when you will need them, but one thing is certain: you will.
For this reason, the students have 200 hours of lessons with the Method Lecturers which are spread over the 10 months of the Master.
Some lecturers can be replaced during the Master, maintaining the international Faculty’s standards.
Translator / Interpreter
Applications can be sent by the “Admission Form” below or made by phone by calling the Secretariat directly. When we receive the required documentation and a motivational letter written by the Candidate, the Management will set the date for an introductory interview with the Course Leader or with the College Director if necessary.
If their profile is considered suitable, candidates will receive official notice regarding the acceptance of their application, which in any case is non-binding for the Candidate.
– curriculum vitae
– artistic and/or professional portfolio
– letter of motivation
– copy of Bachelor’s Degree/Graduation certificate
– passport or identity card for Italian students or EU-EFTA citizens
Candidates can also send the application documents to the e-mail address: firstname.lastname@example.org
For further information, please fill in the “Information Form”.
Following the Management’s official notice concerning the Candidate’s admissibility, the latter may proceed to the enrolment stage. All students who fulfil the requirements must pay the enrolment fee when they formalize their enrolment, which must then be integrated by the yearly
tuition fee before the beginning of the course.
The amount can be paid in a single solution, or in two other installments after enrollment: the second by the beginning of the First Semester, the third by the beginning of the Second Semester.
For international students there is only one payment option in a single installment at the time of registration.
European Union and EFTA students
Enrollment Fee: 3.000 euro
Tuition fee: 18.000 euros
Non-European Union and Non-EFTA students
Enrollment Fee: 3.000 euro
Retta di frequenza: 23.000 euro